She says “no", he hears “try harder" -a sequence of events that’s stubbornly lodged in the DNA of Hindi cinema. Jhansi boy Badri (Varun Dhawan) blithely pursues the uninterested but amused Vaidehi (Alia Bhatt) through the streets of Kota. The latter occurs after the interval, and is usually a prelude to the male lead discovering the error of his ways.īadrinath Ki Dulhania has good and bad stalking, and both are presented as part of the mating ritual. The former usually takes place in the film’s first hour, is performed with non-threatening charm by the male lead, and is borne by the female lead with exasperated good humour. Stalking is so common in Hindi cinema that our filmmakers have developed a tacit grammar of good stalking versus bad.
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